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Superb optical performance and usability power up the most popular focal length. An "Art F1.4 35mm" reborn for mirrorless and empowered through SIGMA's technology to date.
The existing 35mm F1.4 DG HSM | Art was SIGMA’s first GLOBAL VISION lens. Released in 2012, it set the standard for all of SIGMA’s subsequent Art-line lenses, and thanks to its exceptional image quality it is still the 35mm prime lens of choice for many professional photographers. Nine years on, the 35mm F1.4 has been redesigned from the ground up specifically for Sigma, Leica & Panasonic L Mount mirrorless cameras, and is the culmination of much of the optical design expertise and advanced production techniques gained over the past decade of GLOBAL VISION lens development. As with all of SIGMA’s lenses, the 35mm F1.4 DG DN | Art is built entirely at its sole factory in Aizu in Japan, where the standard of craftsmanship is of the highest level.
As is true with all SIGMA lenses, class-leading optics are right at the heart of the design concept of this new 35mm F1.4 DG DN | Art. Despite being significantly smaller and lighter than the existing 35mm F1.4, it displays an outstanding level of sharpness right to the edges of the frame at all apertures, as well as exceptionally smooth and attractive bokeh and remarkably well-controlled optical aberrations.
Designed exclusively for use with Sigma, Leica & Panasonic L Mount mirrorless cameras, the 35mm F1.4 DG DN | Art is light enough to feel perfectly balanced on a compact mirrorless camera, yet is packed with an array of professional features including ultra-fast AF, a de-clickable and lockable aperture ring and a customizable AFL button. This gives the lens operability and portability without compromise, making it as ideal for professional projects as it is for casual outings, and as well-suited to video as it is stills.
Central to the design of the 35mm F1.4 DG DN | Art is its sophisticated optical performance, which is consistent with the development of all Art line lenses. The lens incorporates 15 elements in 11 groups. With two Special Low Dispersion (SLD) elements, an Extraordinary Low Dispersion (ELD) element, an ‘F’ Low Dispersion (FLD) element and two aspherical elements, and as well as other high-performance glass, the lens’ advanced optical construction utilizes SIGMA’s state-of-the-art optical design technology, minimizing all types of aberration including axial chromatic aberration, which cannot be corrected in-camera.
The focusing mechanism in the SIGMA 35mm F1.4 DG DN | Art features a stepping motor. This motor controls a focusing lens group composed of a single, lightweight element, which means AF is responsive and quiet, and is able to keep track of moving objects very effectively. Manual focusing is smooth and precise, but with the right amount of resistance for filmmakers.
On the body of the SIGMA 35mm F1.4 DG DN | Art is an aperture ring that allows aperture to be controlled via the lens, or when set to Auto, using the camera. An aperture lock switch on the lens body allows the aperture ring to be locked in Auto so that it is not accidentally knocked during shooting. A big plus for filmmakers, the aperture ring can be de-clicked, allowing users to seamlessly adjust exposure. Also on the lens barrel is a focus mode switch and an AFL button, which can be customized to a desired function from within the camera menu (depending on the model). The switch is ergonomically positioned to be controlled by the thumb during use.
A petal type lens hood is included in the box, which helps reduce flare and offers the lens added protection if dropped. The hood has a lock mechanism that keeps it attached securely to the lens, and its rubberized grip makes it quick and easy to attach and remove.
On top of this impressive array of features and elegant exterior, the body of the 35mm F1.4 DG DN | Art offers an exceptional level of durability that helps it withstand long-term professional use as well as individual operating parts that give a good fit to the hand. The dust and splash resistant structure provides sealing on buttons and along joins between constituent parts, and there is a rubber gasket around the mount. There is also a water and oil repellent coating applied to the front element ensures that photographers can rely on it in any conditions.
Lens Construction | 15 elements in 11 groups | |
Angle of View | 63.4° | |
Number of Diaphragm Blades | 11 (Rounded diaphragm) | |
Minimum Aperture | F16 | |
Minimum Focusing Distance | 30cm / 11.8in. | |
Maximum Magnification Ratio | 1:5.4 | |
Filter size | φ67mm | |
Dimensions (Diameter × Length) |
L-Mount φ75.5mm × 109.5mm / φ3.0in. x 4.3in. |
Sony E-Mount φ75.5mm × 111.5mm / φ3.0in. x 4.4in. |
Weight |
L-Mount 645g / 22.8oz. |
Sony E-Mount 640g / 22.6oz. |
In the Box:
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