SIGMA FP DIGITAL CAMERA + SIGMA 24mm T1.5 Cine Lens for EF Mount + MC-21 Adap EF-L

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With overall dimensions of 112.6×69.9×45.3mm and a body weight of 422g, battery included, the SIGMA fp is the world’s smallest and lightest full-frame mirrorless camera*. Small enough to take along for casual use, it is a perfect camera with which to enjoy full-frame quality images in everyday snaps.

* As of July, 2019 by SIGMA

Full-frame sensor

Equipped with a back-illuminated 35mm full-frame Bayer sensor with 24.6 effective megapixels, the SIGMA fp is capable of taking high-resolution still and moving images.

Large heat sink

Designed and inspired by those used on professional cinema cameras, a large-size heat sink is mounted between the LCD and camera body. Combined with a heat dissipation coating applied to the outer surface, the SIGMA fp achieves highly effective heat dissipation. It prevents overheating at high temperatures or in long hours of use.

Robust & lightweight aluminum body

A body covered with die-cast aluminum on the front and the back ensures superior robustness and heat dissipation while keeping the body weight light.

Dust- & splash-resistant structure

The SIGMA fp is protected with the dust- and splash-resistant sealing on a total of 42 points over the camera body. When combined with a dust- and splash-resistant lens, the SIGMA fp is capable of shooting in rain, sandstorms, and other challenging conditions.

Same screw threads for strap fittings and tripod

The SIGMA fp is fitted with 1/4-inch threads for both the strap holder on either side of the body and a tripod. This provides greater freedom in how one use the camera, from mounting it on a tripod in portrait orientation with the fixing removed, to attaching a strap for use in portrait orientation after screwing the fixing into the hole on the base.

Full-time electronic shutter

Shutter shock, sound, and lags: these are disadvantages of mechanical shutters. The SIGMA fp is designed to minimize them in pursuit of a system to adapt to a variety of different shooting scenes. Shooting that requires precision where even the tiniest shake is to be eliminated; shooting without ruining the ambience of the scene; and shooting with good response, without missing the perfect shot. These types of shooting will open new horizons in video creation.

Furthermore, the absence of a mechanical shutter makes the SIGMA fp's camera structure simpler, which in turn improves its reliability as a camera.

Superior options in artistic picture & video creations

Color grading is a process of altering the color of a video and is an important step in filmmaking that will change the “mood” of a film or other types of work significantly. One color grade style that has been widely used in Hollywood films has inspired a new color mode introduced in the SIGMA fp, called “Teal and Orange.”

This new color mode is about creating high contrast between orange colors, which are found in human skin tones, and teals (cyan blue), which are their complement, for visuals that are highly vibrant and deeply dramatic.

It can be used in both the Still mode and Cine mode.

Advanced picture & video generating technologies

The HDR shooting takes advantage of an electronic shutter to take multiple pictures of different exposures (3 frames for still photography and 2 frames for video) at once, which can then be merged into a single picture or video with a great dynamic range that could not have been achieved in normal shooting.

Note: The HDR shooting in the Cine mode is to become available via firmware update scheduled at a later date.


SIGMA fp comes with a feature to make "Cinemagraphs", which are animated GIFs that are a hybrid between still photography and video. With this function, the SIGMA fp is capable of creating unique imagery, where parts of a still image keep moving, in-camera.

Note: The Cinemagraph function is to become available via firmware update scheduled at a later date.

Face/Eye Detection AF

The Face/Eye Detection AF function allows the SIGMA fp to focus automatically on the eyes of a human subject. It can bring the eyes of the model into focus instantly and precisely, even when shooting portraits using a large-diameter lens with a shallow depth of field.

Focus peaking

The focus peaking function highlights the edges of the parts of a scene that are in focus in a particular color. It is designed to help focusing the lens manually.


L-Mount* is a mount optimized for mirrorless cameras, characterized by a short flange focal length, large diameter, and superior durability.

In 2018, Leica Camera AG, Panasonic Corporation and SIGMA launched the L-Mount Alliance, and announced that the three companies were to develop their own camera systems based around the same L-Mount standard. As an L-Mount camera, the SIGMA fp can be used with various L-Mount lenses offered by Leica and Panasonic, in addition to SIGMA lenses.

The L-Mount realilzes a camera system that goes beyond the boundaries between manufacturers, with unprecedented levels of scalability and possibilities.

* The L-Mount Trademark is a registered Trademark of Leica Camera AG.

Supports full-fledged filmmaking

In addition to genuine accessories designed exclusively for the SIGMA fp, the camera supports cinema camera-like user interfaces. It has solid compatibility that makes it a perfect camera that fits right into filmmaking settings.

Supports RAW video data recording

Aside from professional cinema cameras, the SIGMA fp is the first DSLR camera that supports external recording in 12-bit CinemaDNG format. With up to 4K UHD/24fps recording, it produces video data that can be used even in filmmaking.

It also supports All-I (All-Intra) recording, which makes it possible to maintain high image quality while reducing file size, allowing light data available for recording and editing. The record format that best suits the purpose of the video can be selected.

* The feature of playing CinemaDNG footages in-camera is to become via firmware update scheduled at a later date.

* The CinemaDNG logo is either a registered trademark or trademark of Adobe Systems Incorporated in the United States and/or other countries.

Director's viewfinder

The SIGMA fp has a director's viewfinder function that allows the user to simulate different angles of view and how an image looks, on cinema cameras. It supports cameras by major manufacturers commonly used in filmmaking. It supports not only the latest large format cameras such as ARRI ALEXA LF and RED MONSTRO 8K but also filmcameras and anamorphic lenses as well.

Cinema cameras supported:

  • [ARRI]
  • [SONY]
  • [RED]

Note: The feature of recording/playing video with the director's viewfinder function enabled is to become available via firmware update scheduled at a later date.

Seamless transition between Still and Cine modes

Preserving the distinctive “feels” of SIGMA cameras including dials and QS (Quick Set) buttons, the SIGMA fp has a specially designed operation system and displays for each of the Still mode and the Cine mode. At the flick of a special switch, it can move back and forth between the two modes. This presents a new shooting experience that goes beyond the boundaries of traditional cameras that are designed either for stills or videos.


The SIGMA MOUNT CONVERTER MC-21 allows SIGMA SA mount and SIGMA’s CANON EF mount interchangeable lens owners to use their lens investment on L-Mount camera bodies. The converter allows more freedom of choice for L-Mount cameras from SIGMA, Leica Camera and Panasonic, enhancing the extensibility of the L-Mount system.

Effective use of lens investment

Attaching the MC-21 to your collection of SIGMA SA mount and SIGMA’s CANON EF mount compatible lenses※ allows them to be used as L-Mount system lenses, promoting the effective use of valuable lenses already owned.
※See the list of compatible lenses below.

29 interchangeable lenses available to be used for L-Mount cameras

The MC-21 increases the number of interchangeable lenses manufactured by SIGMA that can be used with the L-Mount system by 29 lenses. Compatible with the autocrop function, mounting APS-C size image circle DC lenses to a camera body equipped with a 35mm full size sensor still allows immediate use for shooting.

Fast and accurate auto focus
High precision AF photography in AF-S mode is achieved.
* Not compatible with AF-C mode.

Simple interface

Whether the mounted lens is compatible or not is instantly visible from the color and the on/off of the MC-21’s built-in LED. The LED also notifies the user when a lens firmware update is available.

Lens data is pre-loaded

Running the data pre-loaded in the MC-21 for each lens by the special control program, autofocus and aperture control have been optimized. Regarding lenses to be released in the future, data for operating these lenses via the MC-21 will be stored in the lens. It means no firmware updates of the MC-21 will be required to use those new lenses. In addition, the MC-21 also supports correction functions of camera such as peripheral illumination, chromatic aberration of magnification, and distortion.

Comes with a tripod socket

Equipped with a socket for attaching the tripod※. Lenses not equipped with a tripod socket can be used by mounting the tripod to the MC-21.
※ The tool supplied makes attaching/detaching possible.

The inside surface of the barrel is covered with flocking to eliminate internal reflections.

To prevent a reduction in lens performance due to internal reflections, the inside surface of the barrel is covered with flocking.

Inclusion in Exif data

Information such as lens type, focal length, F number, and other tags are embedded as Exif data in each image file.




Interchangeable-lens Mirrorless Type Digital Camera

Storage Media

SD / SDHC / SDXC memory card(UHS-Ⅱ supported) / Portable SSD (USB 3.0 connection, USB bus power supported)

Lens Mount


Image Sensor


35mm full-frame (35.9mm x 23.10mm) Back-illuminated Bayer CMOS sensor

Camera effective pixels / Total pixels

Approx. 24. 6MP / Approx. 25.3MP

Aspect Ratio


Color, filter System

RGB Primary color filter

Still Image File Format

Lossless compression RAW(DNG) data12/14 bit, JPEG(Exif2.3), RAW(DNG)+JPEG:recording is possible

Image aspect ratio

[21:9] /[16:9] /[3:2] /[A Size (√2:1)] /[4:3] /[7:6] /[1:1]

File Size


HIGH:6000×4000 (3840x2560) LOW:3008x2000 (1920x1280)*() In DC Clop Mode




HIGH6,000×2,576 (3,840×1,648)

MED4,240×1,824 (2,736×1,168)

LOW3,008×1,288 (1,920×824)



HIGH6,000×3,376 (3,840×2,160)

MED4,240×2,392 (2,736×1,536)

LOW3,008×1,688 (1,920×1,080)



HIGH6,000×4,000 (3,840×2,560)

MED4,240×2,832 (2,736×1,824)

LOW3,008×2,000 (1,920×1,280)


[A Size (√2:1)]

HIGH5,664×4,000 (3,616×2,560)

MED4,000×2,832 (2,560×1,824)

LOW2,832×2,000 (1,808×1,280)



HIGH5,344×4,000 (3,408×2,560)

MED3,776×2,832 (2,416×1,824)

LOW2,672×2,000 (1,712×1,280)



HIGH4,672×4,000 (2,992×2,560)

MED3,312×2,832 (2,112×1,824)

LOW2,336×2,000 (1,488×1,280)



HIGH4,000×4,000 (2,560×2,560)

MED2,832×2,832 (1,824×1,824)

LOW2,000×2,000 (1,280×1,280)


Equivalent to approx.1.5times the focal length of the lens (on 35mm cameras)

Color Space

sRGB / Adobe RGB

Movie Recording Format [Camera Internal Record]

Movie Format

CinemaDNG(8bit / 10bit/ 12bit) /MOV:H.264 (ALL-I/ GOP)

Audio Format

Linear PCM (2ch 48kHz/16bit)

Recording Pixels / Frame Rate

3,840×2,160 (UHD 4K) /23.98p, 25p,29.97p,FHD(1,920x1,080) /23.98p, 25p, 29.97p, 59.94p, 100p, 119.88p

Movie Recording Format [HDMI External Output]

Movie Format

HDMI Loop out “External recorder record: ATOMOS Ninja Inferno, Blackmagic Video Assist 4K supported

Audio Format

Linear PCM (2ch 48kHz/16bit)


Auto Format / Focus Mode

Contrast detection system, Single AF, Continuous AF (with moving object prediction function), Manual Focus

AF Measurement DistanceDetecton Range / AF mode

-5EV~18EV(F1.4:ISO100) / Auto, 49-points selection mode, Free Movement mode, Face/Eye Detection AF mode, Tracking AF mode

AF Lock

Half-press the shutter button, or press the AEL button

Other Focus Functions

AF+MF, MF Assist, MF Guide, Focus Peaking, Release Focus Function, AF-ON, Quick AF, Pre-AF, AF during Image Magnification

Exposure Control

Metering System

Evaluative, Spot, Center Weighted Average

Metering Range

-5~18EV (50mm F1.4: ISO100)

Still Image Shooting Mode

(P) Program AE (Program Shift is possible), (S) Shutter Speed Priority AE, (A) Aperture Priority AE, (M) Manual

Movie Shooting Mode

(P) Program AE, (S) Shutter Speed Priority AE, (A) Aperture Priority AE, (M) Manual

ISO Sensitivity

ISO 100-25600,Expanded sensitivity ISO 6, 12, 25, 50, 51200, 102400

Exposure Compensation

±5EV (in 1/3-stop increments)

AE Lock

Half-press the shutter button, or press the AEL button (setting change required).

Exposure Bracket

3-frame/5-frame stage exposure 3EV (1/3 Step, Standard→Underexposure→Overexposure) (Sequence changeable)

Image Stabilization System

Image Stabilization System

Electronic system

White balance


( Auto, Auto[Lighting Source Priority], Daylight, Shade, Overcast, Incandescent, Fluorescent, Flash, Color Temperature, Custom 1, Custom 2, Custom 3 )


Shutter Type

Electronic shutter

Shutter Speed

30 - 1/8,000sec.,Bulb

Self-Timer / Remote control

2sec. / 10sec. (Self-Timer)


Drive Modes

Single shooting, Continuous shooting, Self-timer, Interval shooting

Continuous shooting speed

HI:18fps, MED:5fps, LO:3fps

Maximum number of shots

HIGH: 12frame, MED: 12frame, LOW: 24frame


Type / Coverage

TFT color LCD monitor Aspect Ratio 3:2, 3.15, Approx. 2,100,000 dots /Electrostatic capacitance system touch panel /Approx. 100%

Flash (when to use external flash)

Light Emission Mode

S-TTL automatic light control, Manual, Wireless flash, Multi-emission Flash (when to use external flash)

Flash Mode

Red-eye effect reduction / Slow synchronization, 2nd Curtain synchronization

Exposure correction

Max. ±3EV in 1/3EV-step increments

Flash Tuning Speed

Max. 1/30sec. * 1/15 sec. or less at 14bit

External Flash Support

Available when the Hot Shoe Unit HU-11(supplied with this product) is mounted. * S-TTL, Wireless support, Xcontact

Interval shooting

Interval shooting


Color Mode

Color Mode

( Standard, Vivid, Neutral, Portrait, Landscape, Cinema, Teal & Orange, Sunset Red, Forest Green, FOV Classic Blue, FOV Classic Yellow, Monochrome )

Other Functions

Recording Mode

STILL Mode: FillLight / Shading Correcton / HDR shooting
CINE Mode: Still image shooting during movie shooting / HDR shooting / Director's view finder

Playback Mode

STILL: Mode In-camera DNG Development
CINE Mode: Cinemagraph / still image cut-out

Built-in Microphone / Speaker


Stereo microphone, Monaural speaker


Display Language

English /Japanese /German /French /Spanish /Italian /Simplified Chinese /Traditional Chinese /Korean /Russian /Dutch /Polish /Portuguese /Danish /Swedish /Norwegian /Finnish



USB3.1 GEN1 Type C


Type D (Ver.1.4)

Release Terminal

Also used as an external microphone terminal

External Microphone

Available(Plug-in power support)

Headphone output


Flash-synchro Terminal

Dedicated terminal (with hot shoe unit HU-11 (supplied with this prodct) mounted)

Power Source


Li-ion Battery BP-51 *USB power supply available (when the power is turned off)

Dimensions and Weight


112.6 x 69.9 x 45.3mm


422g(including battery and SDcard), 370g(Camera Body Only)

Operating Environment




86%or less * no condensing

Accessories / Optional Accessories


LI-ION BATTERY BP-51, Strap, Strap Holder, USB AC Adapter UAC-11, USB Cable (A-C) SUC-11, HOT SHOE UNIT HU-11, Body Cap, Instruction Manual, Warranty, Warranty Sticker

Optional Accessories




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